SKU: 68689559904

Turkish Cymbals Cappadocia Ride-Becken

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Turkish Cymbals Cappadocia Ride-BeckenTurkish Cymbals Cappadocia Ride Erdige Przision Die Cappadocia Serie von Turkish Cymbals trgt ihren Namen in Anlehnung an eine der faszinierendsten Landschaften der Welt: Kappadokien in Zentralanatolien eine Welt aus Vulkangestein, uralten Hhlenstdten und jahrtausendealter Geschichte. Wie die Landschaft, fr die sie benannt wurde, vereint diese Serie unverwechselbaren Charakter mit zeitloser Tiefe. Das einzigartige dunkle Hmmermuster und die

Turkish Cymbals Cappadocia Ride – Erdige Präzision

Die Cappadocia-Serie von Turkish Cymbals trägt ihren Namen in Anlehnung an eine der faszinierendsten Landschaften der Welt: Kappadokien in Zentralanatolien – eine Welt aus Vulkangestein, uralten Höhlenstädten und jahrtausendealter Geschichte. Wie die Landschaft, für die sie benannt wurde, vereint diese Serie unverwechselbaren Charakter mit zeitloser Tiefe. Das einzigartige dunkle Hämmermuster und die kohlschwarze Patina der Cappadocia-Becken sind nicht nur optisch außergewöhnlich – sie sind der direkte Ausdruck ihres erdigen, trockenen und zutiefst musikalischen Klangcharakters.

Klangcharakter: Trocken, Artikuliert und Charaktervoll

Das Cappadocia Ride in 22" ist das Herzstück der Serie – ein Ride-Becken, das seinen erdigen Charakter in jeder Note trägt. Der Stick-Sound ist trocken und klar definiert, mit einem trockenen Wash an der Schulter und minimalem Shimmer. Die niedrig gestimmte, ausgeprägte Glocke liefert einen satten, tiefen Bell-Ton, der den Groove strukturiert ohne zu dominieren. Das Cappadocia Ride klingt nicht wie ein glänzendes Studioprodukt – es klingt wie ein Instrument mit Geschichte und Seele. Dieser organische Klangcharakter macht es zu einem Becken, das Drummer beim ersten Schlag entweder sofort lieben oder es nicht verstehen.

Einsatzbereiche: Jazz, Funk und Grunge-Rock

Das Cappadocia Ride ist ein Becken für Musiker, die Tiefe über Brillanz stellen. Im Jazz überzeugt der trockene, artikulierte Stick-Sound mit feiner Dynamik – das Becken reagiert auf jede Nuance des Spiels. Im Funk liefert die trockene Schulter klare, rhythmische Patterns ohne überflüssiges Wash. Im Grunge-Rock entfaltet das Becken eine erdige, rau-dunkle Kraft, die perfekt zum Sound dieser Stilrichtung passt. Dank seiner Eignung für alle Dynamikbereiche – von hauchzarten Brushes bis zu kraftvollen Stick-Angriffen – ist das Cappadocia Ride ein echter Allrounder, der sowohl im Studiokontext als auch auf der Bühne überzeugt.

Handwerk aus Istanbul – Zum besten Preis

Jedes Cappadocia Becken wird in den Werkstätten von Turkish Cymbals in Istanbul nach einer Tradition gefertigt, die Jahrhunderte zurückreicht. Die geheime B20-Bronze-Legierung – 80 % Kupfer, 20 % Zinn – wird von Hand gegossen, in traditionellen Öfen erhitzt und von erfahrenen Meistern tausende Male von Hand gehämmert. Das charakteristische dunkle Hämmermuster der Cappadocia-Serie ist das Ergebnis eines einzigartigen Verarbeitungsprozesses – jedes Becken trägt die unverwechselbare Handschrift des Meisters, der es geformt hat. Wir bei Cymballand sind stolz darauf, als offizieller Partner von Turkish Cymbals dieses Handwerk direkt zu euch zu bringen – ohne Zwischenhändler, zum besten Preis.

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SKU: 68689559904

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Mike Stone
San Leandro, US
★★★★★ 5
A brilliant poetic narrative whose lines leap off the pages which turn themselves.
Format: Paperback
When you get to the end, you wonder how Kaminsky worked his wondrous magic, how it's possible to think and write poetry like that. The poem is a story about Vasenka, a mythical town somewhere in the Ukraine, occupied by the Soviet army during an unspecified period of time. It is an allegory of the cruelty of occupation, the futility of the resistance of a few, and the deafness of the silent majority, a deafness that courageously resists the occupation and a deafness that hardens the heart and ignores the evil surrounding them. It could have happened anywhere anytime. The occupiers could have been Nazis, Ottoman Turks, American, English, or Spanish. The poetry is piercingly sharp, visionary, breathless and the metaphors are the likes of which you've never heard before, lines like “the sound we do not hear lifts the gulls off the water,” “Our hearing doesn't weaken, but something silent in us strengthens,” or “In these avenues, deafness is our only barricade.” This is drop-dead beautiful poetry.
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Reviewed in the United States on March 22, 2019
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ARTHUR KLEIN
Lexington, US
★★★★★ 5
Haunting Humanity lurks in war’s reactions.
Format: Kindle
The poem moves efficiently through the myriad experiences that result from deadly conflict with a nameless and menacing enemy. I kept thinking I was reading a rendering of Kafka with the haunting glimpses of the horror of permanent victim hood. Now I must study the Deaf Republic and hope for understanding.
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Reviewed in the United States on September 6, 2025
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Catherine
Alexandria, US
★★★★★ 5
Beautifully written.
Format: Paperback
I read this book in one sitting and discovered that tears are included with purchase. Story is broken up into acts, like a play, and is told completely in verse. Sign language images accompany several of the poems.
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Reviewed in the United States on April 4, 2025
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A M Wells
Massapequa, US
★★★★★ 5
What is silence? Something of the sky in us.
Format: Paperback
Maybe the best poetry collection I've ever read. I rarely enjoy an entire collection. I usually like individual poems or even individual lines within a poem. Deaf Republic is a masterpiece. If I ever meet Ilya Kaminsky in real life, I might cry.
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Reviewed in the United States on July 23, 2023
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Allegra C.
Fort Morgan, US
★★★★★ 5
Worth the hype on NPR that led me here--I've found my new favorite book!
Format: Hardcover
As an Asian-American creative, I knew I'd love this when I first read a positive review for this online, and I was not disappointed once! The perspective is so unique--a Chinese girl in 1800s Georgia!--and the writing's mesmerizing. I wished this book could never end, and LOVED it for so many reasons: The quick version: -Have you ever read anything about Chinese-Americans living in the Reconstructionist South? Thought not. This book provides such a necessary historical lens into highly underrepresented people and untold stories--and does it with remarkable talent and grace. This alone is worth heavy consideration. -Jo is a protagonist you can't help admiring - she's witty, a nonconformist by circumstance and by choice, and unafraid of getting back a little (or a lot) at people who've done her wrong. -The narrative voice is unlike any I've ever seen before ("Mischief dangles from his smile") and there are great humorous moments. -Great pun one-liners here and there - even Yours Truly, who admits to hating puns, likes how they're done here. -A wonderful and dynamic supporting cast, including Jo's wry adoptive father, a socialite who reveals her cleverness with pepper, an enigmatic Southern Belle who becomes Jo's employer for the second time, and a stout-of-heart black boy that'll melt your cold dead heart. Also a very enthusiastic herding dog. -A climax that honestly almost moved me to tears from the poignancy, but also the deep symbolism of how Jo's actions come to stand for so, so much more in those several pages. -If you like to learn cool new words, you'll definitely learn a few by reading this. -On a personal note, I was ecstatic to find references to Chinese knotting and barley tea, which I've grown up with, but never encountered in print before. Stacey Lee isn't afraid to show how difficult it was to be Asian-American in post-Civil War Georgia: In the opening scene, Jo is fired from her job at a hat shop because of her ethnicity. Due to the Chinese Exclusion Act in effect at the time, Jo and her adoptive father are legally not US citizens and cannot even own land or rent; they're forced to live secretly as squatters in the basement of a family who prints a struggling local newspaper. We also see realistic depictions of other social issues, like the initial implementation of segregation laws (which confuses Jo and her father, as they're neither black nor white), the erecting of Confederate statues, calls for women's suffrage (as well as the emergence of modern bicycles) treated with derision by many women who think the idea foolish, and white suffragists rejecting black women who support their ideals. In all seriousness, get this book. If you have kids, get this for your kids. I rarely write book reviews, but I'm breaking the pattern because this novel is THAT good. Come for the incredibly unique historical perspective that's surely the first of its kind ever published and shines a spotlight on sorely underwritten stories. Stay for Jo's incredible strength, role model-ism, one-of-a-kind journey, and how her story reminds us all not just of the power of devastatingly clever puns, but the power that words give all of us in finding who we are and making the world a better place.
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Reviewed in the United States on September 25, 2019

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