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Description
Melamin Geschirr Set Jesolo Blau für 4 Personen - 16 Teile - mit klarem Trinkglas 300ml - aus Acryl Steingutoptik CampinggeschirrMELAMIN GESCHIRRSET 16 TEILE FR 4 PERSONEN MIT KLAREN TRINKGLSERN AUS ACRYL 300ML: Jesolo Blau Steingut Optik in Blautnen auf weiem Grundmaterial klare Trinkglser Oberflche uneben und wellig ideal fr Camping, Outdoor, Picknick oder Festival GESCHIRR: 12 Teile aus 100% Melamin (BPA frei) 4 groe Teller 26,5 cm, 4 kleine Teller 21,5 cm, 4 Schsseln 17,5 x 5,5 cm Produktgewicht ca. 3 kg GLSER: 4 Trinkglser 300 ml (Randvoll) je Glas 7cm (oben) x 5,5cm
- MELAMIN GESCHIRRSET 16 TEILE FÜR 4 PERSONEN MIT KLAREN TRINKGLÄSERN AUS ACRYL 300ML:
Jesolo Blau - Steingut-Optik in Blautönen auf weißem Grundmaterial - klare Trinkgläser - Oberfläche uneben und wellig - ideal für Camping, Outdoor, Picknick oder Festival - GESCHIRR:
12 Teile aus 100% Melamin (BPA-frei) - 4 große Teller Ø 26,5 cm, 4 kleine Teller Ø 21,5 cm, 4 Schüsseln Ø 17,5 x 5,5 cm - Produktgewicht ca. 3 kg -
GLÄSER:
4 Trinkgläser - 300 ml (Randvoll) - je Glas Ø7cm (oben) x Ø5,5cm (unten) x 12 cm (Höhe) - 100 g - FARBE: KLAR
- MATERIAL GESCHIRR:
100% Melamin (BPA-Frei) - Aus hochwertigen Melaminharzen gefertigt vereint es die besten Eigenschaften von Plastik und Porzellan. Melamin-Kunststoff hat sich durch seine hohe Belastbarkeit, das geringe Gewicht und die einfache Handhabung gegenüber Porzellan und anderen Kunststoffgeschirren bewährt. Lebensmittelecht, bruchsicher und spülmaschinengeeignet im oberen Korb. Bis zu 70° hitzebeständig. Nicht mikrowellengeeignet.
- MATERIAL GLÄSER:
Das Material Acryl (Styrol-Acrylnitril SAN) (BPA-Frei) ist elastisch und viel leichter als Glas. Spülmaschinengeeignet bis zu 45°C. Es ist geruchs- und geschmacksneutral. Beim Spülen keine scheuernden Mittel und Schwämme benutzen. Es ist frei von BPA und verträgt Temperaturen bis 60°C, Alkohol sollte nur bis 2h aufbewahrt werden. Keine anishaltigen Getränke (Pernod, Raki, Ouzo etc.), diese machen die Gläser milchig trüb. Nicht mikrowellengeeignet.
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4.4 ★★★★★
Based on 29 reviews
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Product Reviews
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book.
What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
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Reviewed in the United States on September 6, 2017
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information.
I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
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Reviewed in the United States on November 11, 2025
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
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Reviewed in the United States on March 19, 2026
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides.
I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people!
To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome.
Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try.
This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem?
My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another.
Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft.
He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author.
Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010