l uccellaja mario folena roberto loreggian francesco galligioni
SKU: 12212874697

l uccellaja mario folena roberto loreggian francesco galligioni

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l uccellaja mario folena roberto loreggian francesco galligioniLUCCELLAJA Music inspired by the birds singing between the 17th and 18th centuries (CVLD361) Mario FOLENA, traverso, flauto damore Roberto LOREGGIAN, harpsichord Francesco GALLIGIONI, cello, viola da gamba Available in: HD Files, CD 1. Georg Philipp Telemann (1694 1772) Aria Flieg hin flieg hin and Minuet for harpsichord and cello 01: 39 2. Louis Claude Daquin (1694 1772) Le Coucou for traverso1 and harpsichord 02: 13 3. Michel Corrette (1707 1795) Le

L’UCCELLAJA

Music inspired by the birds singing between the 17th and 18th centuries (CVLD361)

Mario FOLENA, traverso, flauto d’amore
Roberto LOREGGIAN, harpsichord
Francesco GALLIGIONI, cello, viola da gamba

Available in: HD Files, CD

  • 1. Georg Philipp Telemann (1694 - 1772)
Aria “Flieg hin flieg hin” and Minuet for harpsichord and cello - 01:39
  • 2. Louis-Claude Daquin (1694 - 1772)
“Le Coucou” for traverso1 and harpsichord - 02:13
  • 3. Michel Corrette (1707 - 1795)
“Le Coucou” for flauto d’amore in A and basso continuo (cello and harpsichord) 02:06
  • 4. Anonymous Italian (17th century)
“Capriccio fatto sopra il Cucchù” for harpsichord - 04:17
  • 5. Antoine Dornel (1691 - 1765)
“L’hirondelle” for traverso2 and basso continuo (viola da gamba and harpsichord) - 03:14
  • 6. Louis-Claude Daquin (1694 - 1772)
“L’hirondelle” for harpsichord - 03:16
  • 7. Françoise Philidor (1689 - 1717)
“L’hirondelle” for traverso2 and basso continuo (viola da gamba and harpsichord) - 01:07
  • 8. Baldassare Galuppi (1706 - 1785)
From the opera “Sirbace“ “Qual colomba afflitta” for traverso1 and basso continuo - 03:33
  • 9. Antonio Vivaldi (1678 - 1741)
From Cantata RV 659 “Indarno cerca la Tortorella” for flauto d’amore in A flat and basso continuo (cello and harpsichord) - 03:41
  • 10. Georg Friedrich Händel (1685 - 1759)
From the opera Acis and Galateac“As when the dove laments” for traverso1 and basso continuo (cello and harpsichord) - 03:43
  • 11. Johann Heinrich Schmelzer (1623 ca. - 1680)
“La gallina” for traverso2 and basso continuo (cello and harpsichord) - 02:47
  • 12. Alessandro Poglietti (? - 1683)
“Il gallo e la gallina” for harpsichord - 05:06
  • 13. Anonymous 18th century
From “The Delightful Pocket Companion for the Flute” London: Robert Bremnen, undated “Polonese” for flauto d’amore in A - 03:14
  • 14. Jean-Baptiste de Bousset - Jacques Hotteterre (1662 - 1725) (1680 ca - 1761 ca)
Aria: “Pourquoy, doux rossignol” for traverso2 and basso continuo (viola da gamba and harpsichord) - 02:49
  • 15. Antonio Vivaldi (1678 - 1741)
From Cantata RV 796 “Usignoletto bello” for traverso1 and basso continuo (cello and harpsichord) - 03:04
  • 16. Francesco Bartolomeo Conti (1681 - 1732)
Aria: “L’augellin trà verdi fronde” for traverso1 and basso continuo (cello and harpsichord) - 02:54
  • 17. Alessandro Speranza (1728 - 1797)
“Divertimento per cembalo in cui si esprime una Uccellaja” for harpsichord - 04:13
  • 18. Joseph Bodin de Boismortier (1689 - 1755)
“Ramage” for flauto d’amore in A - 04:03
  • 19. Jacques-Christophe Naudot (1690 ca. - 1762)
“Chant d’oiseaux” for traverso1, cello and basso continuo - 03:34
  • 20. Antonio Vivaldi (1678 - 1741)
Cantabile from Concerto op. X no. 6 “Il Gardellino” for traverso1 and basso continuo (cello and harpsichord) - 03:11

 Total Time - 63:55

  • Traverso 1 - Martin Wenner, copy of Carlo Palanca
  • Traverso 2 - Federico Xiccato, copy of Chevalier
  • Flauto d’amore in A - Federico Xiccato, copy of Dejardin
  • Flauto d’amore in A flat - Giovanni Tardino, copy of Giuseppe Panormo
  • Cello - Cremona, late 17th century
  • Viola da gamba - Paolo Biordi, Ortimino, 2018 (from Michel Colichon, Paris, 1691)
  • Harpsichord - Florindo Gazzola, copy of Anonymous Italian 17th century
 
  • Digital / Analog recording made strictly live-in-studio at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on May 8, 9, 2023 - Analog Mix and mastering made at VL Studio, Naquera, Spain, on May 11, 12, 2023, using Rupert Neve Design Summing Mixing Console, Maselec MLA-2 / MEA-2 / MPL-2 and Studer A810
  • Production: Marco Lincetto and Massimo Corvino Consulting
  • Executive producer: Marco Lincettoo
  • Musical producer: Marco Lincetto
  • Balance, recording, mix and mastering engineer: Marco Lincetto
  • Editing: Matteo Costa
  • Photo: Musicians’Archive
  • Cover Graphics and layout: L’Imag


To celebrate the beauty and inspiration of bird song: this is the aim of this anthology of 17th and 18th-century compositions dedicated to the voices of winged creatures. The CD takes its title from Alessandro Speranza's Divertimento per cembalo in cui si esprime una Uccellaja and includes 20 carefully selected baroque and rococo pieces.

The first piece, a previously unreleased page by G. Ph. Telemann, opens with two notes (D - B) that repeat, enunciating the cuckoo's call. This incisive musical motif, capable of being etched into our auditory memory, introduces the following tracks, dedicated in order to: cuckoo, swallow, turtledoves and doves, roosters and hens, nightingale, various songbirds
and goldfinch.

Between the 17th and 18th centuries, it was common in French instrumental suites (but also in German ones) to find movements with a title having a specific programmatic intent. From these suites (composed by Daquin, Corrette, Philidor, Schmelzer, Boismortier and Naudot) come the pieces dedicated to bird song. And many Italian musicians, such as Poglietti and Speranza, were also inspired by bird song: three pages of great expressive power for solo harpsichord by these composers and an Anonymous one are presented.

Galuppi's aria Qual colomba afflitta has come down to us only in instrumental form. It is part of a weighty collection of opera arias, published in London in the mid-18th century by John Walsh, selected and transcribed for traverso and basso continuo by Carlo Maria Broschi (1705-1782), the famous castrato known as "il Farinelli". At the time, it was still common practice to perform vocal compositions - such as opera arias or those from cantatas, French brunettes or boat songs - in simple instrumental form, as was done in the Renaissance era: a deep-rooted traditional practice with which it was also decided to perform Vivaldi's arias Usignoletto bello and Conti's L’augellin trà verdi fronde. Handel's piece As when the dove laments, on the other hand, belongs to a collection of transcriptions for traverso and harpsichord, also published by J. Walsh in London.

Within this free performing style also falls the aria Porquoy doux rossignol by the composer Jean-Baptiste de Bousset (1662 - 1725), a very popular piece at the court of the Sun King. It is a magnificent aria that Jacques Hotteterre transcribed for traverso and basso continuo, contributing to its fame and dissemination.

The Delightful Pocket Companion for the Flute, from which the Polonese by an unknown author performed here on the flauto d’amore is taken, is a pocket vademecum in several volumes published in London - undated - by Robert Bremnen. It contains hundreds of original and transcribed pieces for the numerous amateur flutists, who were increasingly eager for repertoire for their instrument. The theme of this Polonese, a Polish dance movement in three-quarter time, is the clucking of a hen, so much so that with a play on words it could be renamed Pollonese.

The CD concludes with the famous Cantabile from Concerto Op. X no. 6 "Il Gardellino" by Antonio Vivaldi, whose pure and linear melody is embellished in this CD, during the ritornelli, in the same capricious spirit as Alessandro Speranza's piece: and so, in addition to the typical arpeggiated call of the goldfinch, one can hear the imitation of a myriad of chirping birds, a tribute to the greatness of Nature, with a triumph of notes and sounds that aims to transport us into a world of emotions and beauty.
Mario Folena

 

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SKU: 12212874697

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ediebegonia
West Palm Beach, US
★★★★★ 3
Pack's Promise was okay but not great
Format: Kindle
Pack's Promise was okay but not great. I won't recommend it to anyone that I know. PRO: * Very likable characters * Lots of steamy scenes that are written very well * The spelling and grammar are good * The punctuation is good with the exception of using hyphens instead of commas. Lots of hyphens. Lots and lots of hyphens. CON: * Almost no interactions with any characters outside of Madison and the pack * Nearly no plot. They meet, get together for a heat, agree to make it permanent, done * Quite a few typos such as extraneous words, missing words and words out of order THINGS TO KNOW: * More steamy scenes than storytelling * A lot of MM & MMM, some MFMM during heat
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Reviewed in the United States on January 5, 2023
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LJM
Lowell, US
★★★★★ 5
such a good read
Format: Kindle
Madison, Lucas, Grey and Rian were made for each other!!! First time reading from this author and I’m not disappointed!!! Absolutely love the Love in this book and couldn’t ask for a better OV!
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Reviewed in the United States on October 25, 2023
B
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Beccaroo
Bozeman, US
★★★★★ 4
Fluffy and Nice Omegaverse
Format: Kindle
… this would have made 5 stars but for 2 reasons. A.) there were quite a few typos; misspelled words, missing quotations, “the his” mistakes, and various signs that maybe a proofread would do good. B.) the writing was quite textbook. Late blooming omega is struggling with her new self, finds a absurdly wealthy pack of alphas, every thing is almost insta-love but she resists, then decides to love herself and let everyone be happy. Rian was my favourite (obviously the author’s favourite too because he got the most page time) but I wish we could see more of his CEO side? He went to work maybe ONCE the entire time. Gray was supposed to be the “growly one” but he turned out to be puppy dog. Lucas was a genius brainiac doctor - but also super alpha with an aggressive hindbrain with a breeding k*nk?? And then there was no actual “breeding”?? Spice 3/5 - normally omegaverse books are super high on messy smut but this was tamer. Romance 3/5 - insta-love that was then resisted because of personal hangup’s Plot 2/5 - weird paced head hopping, showing the same scene from different POV’s that made me feel like it was 2 steps backward, 1 step forward. Humour 4/5 - there were a dozen lines that genuinely made me chuckle out loud Would have been five stars but the lack of proofreading and the predictable plot made me unable to get up to ADORED IT level - four stars is still and official ENJOYED IT, y’all. This isn’t a bad rating. The “Club Heat” has intriguing possibilities so I’m going to give the second one a shot.
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Reviewed in the United States on March 31, 2023
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Trouble In FL
Houston, US
★★★★★ 5
Fantastic writing and non-stop action
Format: Kindle
This is a promising, fantastic beginning to what will be a 4-book series. Some readers may be content to read only the first 2 books, but I think you'll find that the story is so good that you'll want to keep reading books 3 and 4. Book 1 is about omega Elvana's introduction to the "Starling" brothers and their search for another missing person, Kelly. It's a bit of a rocky start, with deception and betrayal a key element. Hardly an auspicious beginning. Each member has their own path and purpose in the pack. Their interactions and the resulting narrative are so well-written that I found it difficult to put down. There is a cliffhanger that will have you reaching for book 2 as you finish, so make sure you have it on hand.
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Reviewed in the United States on September 27, 2023
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rilakk
West Palm Beach, US
★★★★★ 4
Fun read
Format: Kindle
I'm not really into mafia books but I love Roxy Collin's other series so I decided to give it a try. It had the same great romance, spice, swoon-worthy characters and exciting plot that are her signature. Arben was my favorite, although it was a bit sudden how quickly he changed from ignoring her to wanting to be pack. There were almost too many twists/layers of lies to keep track of but I'm looking forward to reading the other books. The only thing that detracted from the story for me was the need for a bit more proofreading. It was mentioned that Kelly is a female and male at different points, leading me to think she changed her mind at some point about the character's gender but didn't go back and edit it to align in all places. Like another reviewer pointed out, step siblings are different than half siblings. They are incorrectly referred to as step siblings because they (allegedly) share the same biological dad. There are a few other typos as well but those aren't a big deal.
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Reviewed in the United States on March 18, 2025

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