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Ken Moore: Anvil Creations: Recordings 1972-1983 - VINYL LPTitle: Anvil Creations: Recordings 1972 1983 Artist: Ken Moore Label: Vinyl on Demand Product Type: VINYL LP UPC: 769791958814 Genre: Electronic Release Date: 2015 12 11 Number of Discs: 6 Additional Details: LIMITED EDITION, WITH BONUS 7" Limited edition of 300. Ken Moore (from Baltimore, Maryland) is one of the very early American DIY synthesists and multi instrumental talents. Moore started to explore electronic music in the mid '70s while working
Title: Anvil Creations: Recordings 1972-1983Artist: Ken Moore
Label: Vinyl on Demand
Product Type: VINYL LP
UPC: 769791958814
Genre: Electronic
Release Date: 2015-12-11
Number of Discs: 6
Additional Details: LIMITED EDITION, WITH BONUS 7"
Limited edition of 300. Ken Moore (from Baltimore, Maryland) is one of the very early American DIY synthesists and multi-instrumental talents. Moore started to explore electronic music in the mid '70s while working in various (progressive) rock formations. In 1980 he established his own label, Anvil Creations, and in the following four years released approximately 20 tapes of solo and collaborative works he had recorded between 1973 and 1983. His solo work of that era bridges abstract electronic music with synthesizers and Mellotron and more psychedelic rock-based material he had primarily produced in the early to mid '70s. He also collaborated with Stuart Rosenzweig and founded the progressive rock duo Moore/Myers with David Wayne Myers. Moore was also very active in James Finch's International Electronic Music Association (IEMA), which started in 1979. Besides newsletters with contact-lists for subscribing musicians or reviews of cassettes, IEMA also organized festivals for musicians and released a series of seven IEMA collective/group compilation tapes containing musicians of the IEMA. Ken Moore was the man behind those tape compilations and their distribution. This box set contains five LPs and one 7" with tracks from Tempus Fugit (1980), To Come Into Being (1981), Loubi Stem (1981), To No Avail (1980), and The Jupiter Effect (1984) (all recorded 1976-'84), Frame of Reference (written 1972, rec. 1977-'79, rel. 1980), In a Pound of Logic (1983), Sense of Recreation (rec. 1972-'75, rel. 1981), Elixir (rec. 1974-'78, rel. 1981) by Moore & Larry Jeter, and Our Own Universe and Eccentric Projections, Volume 1 (both rec. 1976-'81, rel. 1981) by Moore & Rosenzweig.
Tracks:
1.1 A1. Oche de Leah (12:24)
1.2 A2. Tempus Fugit (9:30)
1.3 A3. the Dream in (5:23)
1.4 B1. to Come Into Being (7:58)
1.5 B2. the Putative Curvatures of Time (2:01)
1.6 B3. a Hole in Space (1:52)
1.7 B4. Radius of Captures (7:19)
1.8 B5. Suit of 15 Oscillators (8:00)
2.1 A1. Any Sense at All (8:28)
2.2 A2. for the Duration (2:55)
2.3 A3. for the Root Is the Dream (7:48)
2.4 A4. Viscous (8:18)
2.5 B1. the Jupiter Effect (Edit) (6:18)
2.6 B2. Derangement of Temporality (8:21)
2.7 B3. Event Horizon (9:14)
2.8 B4. the Rings of Saturn (Edit) (8:17)
3.1 A1. Steeple Church (5:20)
3.2 A2. Osmosis (2:47)
3.3 B1. Anvil Cumulus (10:29)
4.1 A1. Harlequins Party (5:48)
4.2 A2. Momentum (4:24)
4.3 A3. Plaster Anvil (4:20)
4.4 A4. Pendulum Clock (3:43)
4.5 A5. Frame of Reference (5:48)
4.6 B1. Invitation (5:07)
4.7 B2. Sense of Recreation (3:50)
4.8 B3. Capillary Action (6:02)
4.9 B4. Elastic Collision (7:48)
4.10 B5. Two Egg (7:10)
5.1 A1. Tidal Rush Part One (Low Tide) (7:04)
5.2 A2. Tidal Rush Part Two (High Tide) (7:42)
5.3 A3. Tidal Rush Part Three (The Wave) (4:56)
5.4 A4. Tidal Rush Part Four (Tsunami) (8:13)
5.5 B1. Tidal Rush Part Five (The Rush) (2:57)
5.6 B2. Prism Eye Glass (First Half) (7:00)
5.7 B3. Prism Eye Glass (Second Half) (9:31)
5.8 B4. Excuse for the War (10:12)
6.1 A1. Pain Is Nociception (4:05)
6.2 A2. Twenty Two Over Seven (5:13)
6.3 A3. Our Own Universe (12:10)
6.4 A4. Pink 2 (Edit) (5:20)
6.5 B1. Forgotten Algebra (12:54)
6.6 B2. Wave to the Future (6:25)
6.7 B3. Cadence of the Claxon (11:11)
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★★★★★ 4
Nice, large room divider for privacy
Color: Black, Size: 1 Large Panel
Easy to assemble. Fabric screen covers the large frame very well and provides privacy by separating spaces. I would not exactly call it sturdy, but it does the job and stands freely with no problem. It’s lightweight and portable if you need to move it. Came with a screwdriver and wrench tool for assembly.
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Reviewed in the United States on March 7, 2026
★★★★★ 5
Solid divider
Color: Black, Size: 1 Large Panel
Easy to assemble, is not see through and seems sturdy. The optional wheels are a nice touch.
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Reviewed in the United States on March 18, 2026
★★★★★ 5
Perfect solution
Color: Black, Size: 2 Large Panels, Color: Black, Size: 2 Large Panels
Was a perfect solution to blocking off a part of a room for guest stay. My only wish was a bag for it to go in while not in use. Right now we’ve got it tucked away in a corner where it’s waiting to be used again.
I put one wheel through a wooden partition gate (for dogs) and pushed a couch up against it and it held great keeping young kids out of the room. Though the dog figured it out pretty quickly haha
I love the fabric in between the sections as well as the fact that they can be completely separate for individual use as needed. Makes it very useful in more scenarios.
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Reviewed in the United States on April 22, 2026
★★★★★ 5
Good Tall Screen
Color: Grey, Size: 1 Large Panel
Easy to roll, easy to assemble with two people, great height, blocks direct sun well
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Reviewed in the United States on April 18, 2026
★★★★★ 4
Great Divider, bad instructions
Color: Black, Size: 1 Large Panel
Happy with this as a room divider. Good price point and sturdy. I suggest skipping the directions and using common sense! The steps are made complicated when they are not ... and if you follow the directions you will have to go back and fix the skipped step of inserting the rods into the screen BEFORE securing the frame. Would buy again.
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Reviewed in the United States on November 15, 2025
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