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Nox Arcana: Winter's Knight - COMPACT DISCSTitle: Winter's Knight Artist: Nox Arcana Label: Monolith Graphics Product Type: COMPACT DISCS UPC: 808817001124 Genre: Rock, Holiday Christmas (Performance Release Date: 2005 07 10 Number of Discs: 1 Holiday music with a medieval flair. Celebrate the spirit of the season with Nox Arcana and enter an enchanted realm of ghosts, dark angels and winter magic. This musical ghost story follows the path of a mysterious knight as he wanders the ruins of a
Title: Winter's KnightArtist: Nox Arcana
Label: Monolith Graphics
Product Type: COMPACT DISCS
UPC: 808817001124
Genre: Rock, Holiday-Christmas (Performance
Release Date: 2005-07-10
Number of Discs: 1
Holiday music with a medieval flair. Celebrate the spirit of the season with Nox Arcana and enter an enchanted realm of ghosts, dark angels and winter magic. This musical ghost story follows the path of a mysterious knight as he wanders the ruins of a haunted cathedral set in the mythical Ebonshire forest. The arrangements on this album incorporate acoustic guitars and mandolins to achieve a medieval minstrel sound. Gregorian choirs, pipe organ, chimes, and violin compliment the moody blend of original instrumentals, while guest vocalists perform gothic renditions of traditional holiday carols, including a foreboding version of the lullaby 'Coventry Carol,' and the minstrel's favorite 'Past Time With Good Company.' Review Beautifully dark Christmas hymns with a gothic touch. A classic masterpiece of timelessness. Certainly appropriate for the holiday season! Be prepared to go back in time to a kingdom far far away. — Livid Looking Glass All the enchantment and beauty of traditional classical Christmas music from the dark side. Very evocative of holiness as well as spine chillingly mysterious.— Morbid Outlook I was delighted with the sophisticated elegance of this enchanted realm. I decided to first listen to this CD on a cross-country train ride, I thought it would be fitting. It was gently raining in the Pacific Northwest and as prehistoric landscapes rolled by, I felt I too was like a knight on a quest of lonely tranquility. My favorite track is 'Ebonshire.' This minstrel piece is a perfect accompaniment of medieval mystique for a journey into the unknown. I love the sound of the harpsichord, and Nox Arcana did not skimp on the medieval instruments, or the length, with over 60 minutes of music. The different sounds and emotions are threaded together with a gothic motif. I love how this album especially, matches Vargo's famous blue-hued illustrations.   If the music on Winter's Knight had visual color, it would definitely be the frost blue of an enigmatic winter in Eastern Europe. The serene silence of winter is illustrated in 'Crystal Forest.' This track sounded like crystal and images of falling snow suspended in time. I pictured an outdoor mysterious masquerade during 'First Snow,' and I could just see the night sky lit up by the blue-hued snow. The chain of thoughts then led me to think I was inside a glass ball with a contrived scene inside that you shake and the snow flutters around. The album then takes a turn to celebrating the holiday season. Guest vocalist Jeff Endemann brings a foreboding comfort to the lullaby 'Coventry Carol.' Nox Arcana's rendition of 'God Rest Ye Merry Gentlemen' has been the most interesting I have ever heard to date. 'Redemption' and 'Carol of the Bells' are the perfect finale.   The medieval noble knight motif is incorporated into all of the pieces, he is eerie but not evil, and he protects the solace and beauty of this delicate and fragile season. As I visited the frozen tundra, engulfed in fog, on a mountain a mile high in Washington, this soundtrack I heard on my train ride over raced though my mind. I have usually in the past looked forward to summer, but now I look forward to winter.' — Fangoria
Tracks:
1.1 Vigil
1.2 Ghosts of Christmas Past
1.3 Ebonshire
1.4 Solitude
1.5 Crystal Forest
1.6 First Snow
1.7 Evening Star
1.8 Reflections of Long Ago
1.9 December Winds
1.10 Phantom Toccata
1.11 Hallowed Ruins
1.12 Gregorian Hymn
1.13 Spirit of the Season
1.14 Coventry Carol
1.15 Lullaby
1.16 Winter's Knight
1.17 Past Time with Good Company
1.18 God Rest Ye Merry, Gentlemen
1.19 Veni, Veni, Emmanuel
1.20 Redemption
1.21 Carol of the Bells
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4.3 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 5
Bueno
Size: 5 Quarts
Bueno
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2026
★★★★★ 5
switched from Mobil 1
Size: 5 Quarts
always used Mobil 1, my 2003 accord v6 always burned a little bit of oil, switched to this and it barely burns any at all now.
will continue to use this from now on.
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Reviewed in the United States on April 27, 2026
★★★★★ 4
ITS GOOD OIL
Size: 5 Quarts
OVERALL NOT BAD BUT USING IT TO SEASON A CAST IRON WILL CREATE A BIT TOO DARK OF A SHEEN. WISH THE MANUFACTURER MENTIONED THAT
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Reviewed in the United States on April 8, 2025
★★★★★ 5
buenos
Size: 5 Quarts
Siempre compro de este aceite y es buenisimo me gusta
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Reviewed in the United States on May 5, 2026
★★★★★ 5
An essential work in putting American history in perspective
Format: Hardcover
This is a great book. It is not a book for everyone, however. If you don't know the difference between the Pilgrims and the Puritans, and I don't mean just when they arrived, try something simpler. It is a fascinating read if you already have some knowledge. For example, had I not been familiar with Hudson River geography and history, I'm not sure I would have been able to follow Bailyn's account of New Netherland.
Naturally, as in any history, the most interesting stories are those you haven't heard before. For me, that was the information about New Sweden; I even read that section first. What makes Bailyn's book great, however, is his ability to make one see material one already knows a great deal about in new ways. Although he never addressed this question per se, he helped me answer a question that has been on my mind for at least fifteen years, and on which I've done considerable research - why did the Puritans, who arrived in 1630 as staunch Presbyterians, deriding their Separatist/Congregationalist Pilgrim neighbors, declare themselves Congregationalists in 1648 in the Cambridge Platform? (In part, the answer Bailyn helped me surmise is simply that when two or three Puritans gathered together, they had at least four different theological positions. It was hard enough to reconcile them in a single congregation; a presbytery would have been impossible.) The book also caused me to reassess my whole viewpoint on early Connecticut, and I certainly came to appreciate the importance of John Winthrop, Jr. beyond his role there. It is amazing too that Bailyn covers such a wide range of issues while devoting relatively few pages to each.
The review in The New York Times Book Review, at least as I recall it, was wrong. While that reviewer praised the Virginia, Maryland and New Sweden/New Netherland portions, the New England portion (about 40% of the book) was dismissed as being only of interest to genealogists. While it is true that the earlier sections were more reflective of the book's subtitle, "The Conflict of Civilizations," the New England section would be of interest to a rather small portion of the genealogical community. (For example, I learned nothing new about my only ancestor discussed in the book, William Vassall.) I doubt if that reviewer has ever seen an on-line genealogy, which frequently contain claims such as that so and so was born in 1585 in the United States. As I have already said, the New England section, like the rest of the book, does a marvelous job of putting information in perspective; something that anyone interested in history needs to do.
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Reviewed in the United States on July 10, 2013
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