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Description
Performance: Aperture 221Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum
Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum curator Lauren Cornell looks at how artists such as K8 Hardy, Juliana Huxtable, and Amalia Ulman use social media to calculated effect; Performa founder RoseLee Goldberg and MoMA curator Roxana Marcoci discuss performance, documentation, and the ways in which performances are crafted for the camera; and Kaelen Wilson-Goldie explores the lecture-performance form in the work of Lebanese artists Walid Raad, Rabih Mrou , Lina Saneh, and Joana Hadjithomas and Khalil Joreige. In the Pictures section, Delfim Sardo considers the Portuguese artist Helena Almeida's Inhabited Painting(s) and other works; Brian Sholis on the disquieting appeal of Torbj rn R dland's images; James Welling introduces his new series Dance Project; Olu Oguibe on Samuel Fosso's recent Mao Zedong series; Brian Dillon on Dru Donovan's recreations; Performa curator Adrienne Edwards on how Carrie Mae Weems animates minimalism; a look at the role of image research in the Hong Kong-based duo Zheng Mahler's Performa 15 debut performance; and Kristin Poor explores two approaches to photographing dance, by looking at Barbara Morgan's enduring images of Martha Graham, and Babette Mangolte's photographs of Trisha Brown's dance performances.Binding Type: Paperback
Author: Aperture
Published: 11/24/2015
Publisher: Aperture
ISBN: 9781597113243
Pages: 128
Weight: 1.75lbs
Size: 12.00h x 9.20w x 0.50d
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★★★★★ 5
Love the color
Color: Red, Color: Red
Super vibrant color with minimal shedding .. it fits my steering wheel and easy to install and worth the money..
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Reviewed in the United States on May 17, 2026
★★★★★ 3
It’s ok
Color: Lavender Purple
Its ok. Not as fluffy as i think it would be. I have had it over a month or so and its starting to get even more less fluffy. The color wAs more like a faded purple
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Reviewed in the United States on May 27, 2026
★★★★★ 5
Very fluffy
Color: Wolf Tipped
Fast shipping and looks good
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Reviewed in the United States on May 19, 2026
★★★★★ 5
ITS SOOOO FLUFFY!!
Color: Orange
Ooouuu she’s so fluffy!!!!!! Omg, I’m in love. The color looks exactly as pictured. The gear shift cover was way too small for my RAV4 but it’s okay, it kind of interfered with the button to move the gear. Also, if you need to see the info on the dash, be aware that the steering wheel cover blocks it for the most part. I’m not bothered by it but it’s something to make note of for those who might be.
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Reviewed in the United States on April 24, 2026
★★★★★ 5
Warm and soft!!
Color: Orange, Color: Orange
So funky and cute! Matches my inferno orange car! I really only wanted the steering wheel cover & have no need for the other covers because they don’t fit on my shifter, or my parking break. Besides, it gets kind of dirty on the console.
Keeping gloves in the car so it doesn’t end up dirty from my hands this winter:)
It does make it a bit hard to see the ignition and some of the gauges as it is so fluffy, but it’s so funny, I don’t care! Lol
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Reviewed in the United States on December 6, 2025