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Description
4 Person 72HRS Tactical Deluxe Backpack Kit with NOAA Weatherband RadioFeatures: The top selling emergency kit in Canada. This kit is well equipped with vital survival tools and advanced emergency preparedness items. Including an NOAA weather band radio with several other features Stored in a premium backpack with multiple compartments and MOLLE straps for versatility Emergency food and water have up to 5 year shelf life (delivered within 1 6 months after the manufacturing date). Emergency food and water provided can
Features:
- The top-selling emergency kit in Canada.
- This kit is well-equipped with vital survival tools and advanced emergency preparedness items. Including an NOAA weather band radio with several other features
- Stored in a premium backpack with multiple compartments and MOLLE straps for versatility
- Emergency food and water have up to 5-year shelf life (delivered within 1-6 months after the manufacturing date).
- Emergency food and water provided can last 4 people 3 to 5 days during an emergency.
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The 4 Person 72HRS Deluxe Backpack - Emergency Survival Kit is well-equipped with vital survival gear and advanced emergency preparedness items, such as a 3 day supply of U.S. Coast Guard Approved Food and Water Rations, Aquatabs Water Purification Tablets, 108 piece First Aid Kit, 72HRS Emergency Sleeping Bag, 72HRS Three Wick 36 HR Emergency Candle and much more.
Exclusive to the 72HRS Tactical Deluxe Emergency Survival Kit is the Black Crusader One NOAA weather band radio with several more features.
Specifications:
No. of Backpacks: 2
Total weight: 33.5LBS (15.2 kg)
Product Weight and Dimension of each backpack
Length: 17" (43cm)
Width: 12" (30cm)
Height: 10" (25cm)
Weight: 18.5LBS (8.4 kg) and 15LBS (6.8 kg)
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Food
[4] 3600 Calorie 72HOURS Emergency Food Ration (NON-GMO)
- 1 pack of emergency food ration per person.
- Non-GMO, vegetarian and nut-free
- Tested to withstand temperatures from F to F
- Each vacuum sealed pouch contains 9 individually wrapped bars which contain 400 calories each.
- Non-thirst Provoking
- Up to a 5-year shelf life (delivered within 1-6 months after the manufacturing date).
- US Coast Guard approved
- Resealable for ease of dispersing and to keep unfinished rations stored without being exposed to contaminants.
Water
[48] 125ml 72HOURS Emergency Water Ration
- 12 packs of emergency water per person.
- Able to withstand increased external applied pressure.
- Up to a 5-year shelf life (delivered within 1-6 months after the manufacturing date).
- Lightweight and extremely compact.
[10] Aquatabs Water Purification Tablets for 1 L Extra Strength
- 10 tablets treat up to 10L, fast acting, great taste, iodine free.
- Each tablet treats 1L of water
- Prevent Travellers’ Diarrhea, Giardia, e. Coli, fecal coliforms, Cholera, Typhoid and other waterborne disease and illness.
Shelter
[4] 72HRS Emergency Sleeping Bag
- Aluminized non-stretch metallic fabric provides up to 90% heat retention ensuring optimal warmth.
- Water and wind resistant and can be used as a shelter or tarp.
- Reflective metallic fabric can also be used as a reflector or signal in case of an emergency.
- Dimensions:83.0 in. x 36.0 in.
- Hooded Rain Poncho.
- Made of Polyethylene.
- Ultra-Lightweight, compact and reusable.
- Dimensions: 50.0 in. x 52.0 in. x 80 in.
[2] 72HRS Tube Tent
- Water-resistant and durable.
- Fire Retardant.
- Can Fit up to 2 to 3 people.
- Includes a 25 ft. Nylon Rope
- Dimensions (assembled): 8.0 ft. x 6.0 ft.
- Rubber adhesive sticks well to a variety of surfaces.
- Variety of uses – sealing, holding, labeling, temporary repairs requiring durability.
- Strong and long-lasting.
- Dimension:2.0 in. x 10 yds
Lighting and Communication
[1] 72HRS CRUSADER ONE NOAA Flashlight Analog Radio - BLACK
- Compact and lightweight
- 4 power options - hand-crank, solar panel, DC 5V input, batteries
- AM/FM/NOAA Weather band channels
- 3 modes of LED flashlight, portable charger
- Compliant with FCC part 15 rules and Proposition 65
[3] LED Rechargeable Flashlight
- 100hrs Built-In.
- Ultra Bright LED Light.
- Lightweight with Wrist Strap for easy carrying.
[1] 72HRS Three Wick 36HR Emergency Candles
- Three wicks allow variable light and heat.
- Burns up to 36 hours, 12 hours per wick (total of 3 wicks).
- The well-sized base provided optimal stability.
- Strong metal casingPerfect item for camping or emergency preparedness kits
- A great addition to your emergency survival kit
- Waterproof.
- 40 matches/box
First Aid
[36] 3/4'' X 3'' Band-Aids, [30] 3/8'' x 1 1/2'', [2] 4'' x 4'' Gauze Pads, [2] 3'' x 3'' Gauze Pads, [2] 2'' x 2'' Gauze Pads, [1] 2'' Rolled Gauze, [15] Alcohol Pads, [10] Cotton Swabs, [1] Adhesive Tape Roll, [1] Tweezer, [1] First Aid Guide, [1] 5'' x 6'' Cold Pack, [1] Scissors, [3] Tongue Depressor, [1] Plastic Carry Case (7'' x 5 1/2'' x 2 1/2)
[2] Vinyl Glove (Included in the 108 Pcs First Aid Kit)
- Latex-free and powder free
- Ambidextrous
- 2 Pieces (1 pair)
- Exceptional fit with rolled cuff
Search and Rescue
[1] Aluminum Alloy Emergency Whistle
- Heavy aluminum whistle.
- Super loud clear tone.
- Can be used as a key ring
- Bead-less
[4] 72HRS Dust Masks
- Prevention for the inhalation of airborne particles.
- Prevent inhalation of contaminants released into the air.
- Pleated face mask with earloops
[1] 72HRS Leather Palm Work Gloves
- Cowhide leather provides great comfort.
- Used in construction and masonry work.
- Heavyweight cotton back.
- Washable.
[1] 72HRS Multi-Function Army Knife (7 Stainless steel Tools)
- Knife.
- Bottle Opener.
- Corkscrew.
- Philips screwdriver.
- Scissors.
- Nail File.
- Can Opener.
[1] 72HRS 50ft Nylon Utility Cord
- 50 Foot Nylon Utility Rope.
- Polypropylene material.
- Braided Synthetic Cord.
- Durable and Lightweight
Sanitation
- Individually packaged.
- 2 Ply.
- Lightweight, compact and slim.
- Helps maintain a sanitary condition
Storage
[2] 72HRS Black Tactical Backpack
- Made from 600D + 900D Polyester and coated for water-resistance
- Built to utilize space, this bag can carry a load of 37 liters
- 29 compartments, a laptop compartment, mesh and nylon pockets, and an admin panel
- Efficiently distribute weight across your shoulders with the 900D back and Mesh Shoulder straps
- MOLLE straps and additional straps to attach oversized items
[5] Clear Reclosable Bags (10" x 13")
Print Spec. Sheet - Click Here
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72HRS CRUSADER ONE NOAA Flashlight Analog Radio
With the increase in the frequency of natural disasters due to climate change, solely relying on your phone for important updates or weather alerts will be futile if it is out of power or lacking reception. That’s why the CRUSADER One NOAA Weather Band Emergency Radio is the perfect solution for keeping yourself informed with any alerts or weather warnings.
Its 4-way built-in power options ensure you receive important radio broadcasts wherever you go! Tune in to your favourite AM/FM channels or listen to 1 of 7 pre-set NOAA emergency broadcast channels to get the latest updates and information. It also comes with other useful built-in features such as a flashlight, power bank, and SOS siren so that you have an all in one device.
We’ve tested similar products in the market and we are proud to say that the CRUSADER One provides one of the crispest sounding radios on the market. Immerse yourself in the CRUSADER One’s premium audio experience the next time you are preparing for an emergency, camping, backpacking, and other outdoorsy stuff.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.2 ★★★★★
Based on 17 reviews
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Product Reviews
★★★★★ 5
It's All Right Here. All of it.
Format: Hardcover
I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
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Reviewed in the United States on September 21, 2016
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
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Reviewed in the United States on August 30, 2018
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful.
McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do.
However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies!
If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why.
McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism.
Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging.
With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else.
In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree.
But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
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