SKU: 99947945348

Ronald II Grey Velvet Wrap Black Wooden Base Dining Chair

Sale price$247.05 Regular price$274.50
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Description

Ronald II Grey Velvet Wrap Black Wooden Base Dining ChairOverview Exceptionally crafted from wood, the Ronald II is a chic, bucket style dining chair that features a unibody seat and back wrapped in plush, grey toned velvet. The uber comfortable body of the Ronald II is supported by four naturally finished, angular Beechwood legs that not only stabilize the chair to perfection but also add to its visuals. The Ronald II looks gorgeous when paired with most dining tables and fits perfectly in spaces designed

Overview

Exceptionally crafted from wood, the Ronald II is a chic, bucket style dining chair that features a unibody seat and back wrapped in plush, grey-toned velvet. The uber-comfortable body of the Ronald II is supported by four naturally finished, angular Beechwood legs that not only stabilize the chair to perfection but also add to its visuals. The Ronald II looks gorgeous when paired with most dining tables and fits perfectly in spaces designed as per the Mercana Modern or Enduring Elegance design styles.

Features

  • 19.25" Seat Height Dining Chair: With a seat height of 19.25", the Ronald II Dining Chair measures a total of 21.8" wide by 32.3" high. 
  • Plush Fabric Wrap: The Ronald II, wrapped in plush grey-toned velvet, makes for a comfortable as well as a visually enticing addition to any dining room. 
  • Sturdy Beechwood Frame: Rested on a solid, four-legged beechwood frame finished in a natural brown polish, the Ronald II club chair is stable and exceptionally sturdy. 
  • Modern/Elegant Style Design: Prudently designed to uplift contemporary spaces, the Ronald II dining chair flaunts a sleek silhouette, with subtle curves and clean lines that fit perfectly with a modern or elegant style space. 
  • No Assembly Required: Delivered pre-assembled, the Ronald II is ready to turn heads in your space as soon as it arrives at your doorstep. 

Specifications

  • Back Style: Solid Back
  • Hand Made (Y/N): Yes
  • Hand Painted (Y/N): No
  • Stain Resistant (Y/N): No
  • Scratch Resistant (Y/N): Yes
  • Water Resistant (Y/N): No
  • Fire Resistant (Y/N): No
  • Finished Back (Y/N): Yes
  • Kiln-Dried Wood: Yes
  • Seat Style: Square
  • Type of Chair: Arm Chair
  • Total Number of Pieces Included: 1
  • Leg/Base Type: 4 Legs
  • Arms Included?: Yes
  • Upholstered: Yes
  • Tufted Upholstery?: No
  • Slip Covered: No
  • Nailhead Trim?: No
  • Seat Cushions Included?: No
  • Swivel: No
  • Foldable: No
  • Stackable?: No
  • Adjustable Seat?: No
  • Pneumatic/Hydraulic Lift?: No
  • Wheels/Casters (Y/N): No
  • Wheels/Casters - Lock (Y/N): No
  • Seat Cushion Reversible Cushion (Y/N): No
  • Performance Fabric (Y/N): Yes
  • Made to Order: No
  • # Chairs in Set: Single
  • Main Material: Solid Wood
  • Upholstery Material Performance Brand: Unavailable
  • Upholstery Material Texture: Unavailable
  • Fabric/Leather Material Code - Arms: J03
  • Arm Material Type: Fabric
  • Arm Fabric/Leather Type: Velvet
  • Arm Fabric/Leather Composition: 100% Cotton
  • Arm Fabric/Leather Rub Count: >20000
  • Arm Fabric/Leather Color Fastness: 3
  • Arm Finish Application Description: Other
  • Arm Finish Texture: Other
  • Wood Species: Beechwood
  • Arm Natural Variation: No Natural Variation
  • Fabric/Leather Material Code - Body: J03
  • Body Material Type: Fabric
  • Body Fabric/Leather Type: Velvet
  • Body Fabric/Leather Composition: 100% Cotton
  • Body Fabric/Leather Rub Count: >20000
  • Body Fabric/Leather Color Fastness: 3
  • Body Finish Application Description: Other
  • Body Finish Texture: Other
  • Body Natural Variation: No Natural Variation
  • Body Fill Materials: Cotton
  • Fabric/Leather Material Code - Back: J03
  • Back Material Type: Fabric
  • Back Fabric/Leather Type: Velvet
  • Back Fabric/Leather Composition: 100% Cotton
  • Back Fabric/Leather Rub Count: >20000
  • Back Fabric/Leather Color Fastness: 3
  • Back Finish Application Description: Other
  • Back Finish Texture: Other
  • Back Natural Variation: No Natural Variation
  • Back Fill Materials: Cotton
  • Material Code - Legs/Base: M0150-A-BEE
  • Leg/Base Material Type: Solid Wood
  • Leg/Base Wood Species: Beech
  • Leg/Base Finish Texture: Plain/Smooth
  • Leg/Base Color: Brown
  • Leg/Base Natural Variation: Natural Wood Grain Color Variation
  • Fabric/Leather Material Code - Seat: J03
  • Seat Material Type: Fabric
  • Seat Fabric/Leather Type: Velvet
  • Seat Fabric/Leather Composition: 100% Cotton
  • Seat Fabric/Leather Rub Count: >20000
  • Seat Fabric/Leather Color Fastness: 3
  • Seat Finish Application Description: Other
  • Seat Finish Texture: Other
  • Seat Color: Gray
  • Seat Natural Variation: No Natural Variation
  • Seat Fill Materials: Cotton
  • Main Color: Black
  • Reclaimed Wood?: No
  • Purposeful Distressing Type: No Distressing
  • Overall Weight Capacity: 250 lbs (113.38 kg)
  • Seat Height - Floor to Seat: 19.25 inch (48.9 cm)
  • Seat Width - Side to Side: 20 inch (50.8 cm)
  • Seat Depth - Front to Back: 18.25 inch (46.36 cm)
  • Arm Width - Side to Side: Does Not Apply
  • Back Height: 13.00 inch (33.02 cm)
  • # of Parts/Components: 1
  • Assembly Required (Y/N): No
  • Removeable Legs (Y/N): No
  • Additional tools needed (Y/N): No
  • Avoid Power Tools?: Yes
  • Level of Assembly: None
  • Prop 65 Label: No
  • Contains Flame Retardant Materials: Yes
  • Supplier Intended and Approved Use: Residential Use
  • Canada Product Restriction: No
  • Reason for Restriction: Does Not Apply
  • GREENGUARD Certifications: No
  • Double Rub Tested: No
  • Composite Wood Product (CWP): No
  • Commercial Warranty: No
  • Warranty Length: 90 Days
  • Product Warranty: Yes
  • Eligible for Replacement Parts: No
  • Design Style: Contemporary, Mid-Century Modern, Luxe, Art Deco, West Coast Contemporary, Scandinavian
  • Mercana Style - Influences: Modern & Contemporary, Scandinavian, Contemporary, Art Deco, Posh & Luxe, Mid-Century Modern

Dimensions

  • Product Size (inches): 23.3L x 21.8W x 32.3H
  • Weight: 18.08 lbs
  • Box Size (inches): 23.6L x 22.8W x 34.3H
  • Box Weight: 19.84 lbs
  • CBM: 0.2672
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 99947945348

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Anthony Gagliardi
Cuba, US
★★★★★ 5
Good book
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Good book
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Reviewed in the United States on July 28, 2021
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tyrone
Pawtucket, US
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Bought it for me and a friend
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Excellent Book ! A must read ! TYRONE C .
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Reviewed in the United States on June 15, 2019
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CJ
Louisville, US
★★★★★ 4
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Just finished reading it. It’s a good, easy read.
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Reviewed in the United States on June 8, 2019
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MW
Natrona Heights, US
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Quality book.
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Reviewed in the United States on December 14, 2019
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Michael Burnam-fink
Belleville, US
★★★★★ 5
There is a war... for your Mind!
Format: Kindle
"There is a war... for your Mind!" That's the slogan of InfoWars, the incendiary conspiracy news network and nutritional supplement marketing firm. And while Alex Jones is wrong about almost everything, he's right about that. In LikeWar Singer and Brooking ably synthesize a sophisticated picture of information warfare in 2018, drawing from sources as diverse as Taylor Swift, Donald Trump, and ISIS, to argue that the internet has lead to a blurring of lines between consumer, citizen, journalist, activist, and warrior which threatens the foundations of liberal democracy. The tech companies which built these platforms and profited from them must grapple with the politics of their technologies, before we all reap the whirlwind. Computer networks and smart phones connect billions of people, allowing ideas to flow faster than ever before in history. Sometimes, the results can be impressive. The Chiapas Zapatista movement in 1994 was a dial-up and fax version of a network insurgency that managed to bring enough international opprobrium on Mexico that the government blinked, and reached some kind of political accord (Chiapas is complicated). More recently, Eliot Higgins and a team of open source analysts at Bellingcat managed to track down the exact BUK missile system and Russian soldiers responsible for shooting down MH 17 in 2014. But there are a lot of dark sides. When people connect, the emotion that spreads most rapidly is anger. Lies spread five times faster than truth. Musicians can use social networks to directly connect with their fans, and ISIS uses it to connect with alienated Muslim youths worldwide. Social networks sort diverse citizens into filter bubbles of people who think alike. Eliot Higgin's careful open source intelligence has a paranoid fun-house mirror version in the QAnon conspiracy, where Qultist decoders find hidden messages from an alleged 'senior white house source'. And then there is the matter of information war, an area that even now, after years of offensive cyber operations, liberal democracies still don't understand. Hostile propaganda slips into Western news networks and major platforms like Twitter, Facebook, and Instagram are infested with bots. LikeWar can even take a personal toll. Over the course of writing this book, General Michael Flynn went from forward looking full-spectrum commander to head Trumpist conspiracy cheerleader to indicted and plead out felon. Flynn's fall is complex, but it can't be separated from the internet. If the trolls got him, what chance does your idiot cousin stand? The counters, 'citizen truth teams' and senior emissaries to groups vulnerable to recruitment, seem like thin reeds against the coming maelstrom of noise. LikeWar starts with Clausewitz's dictum that war is a continuation of politics by other means, and there are clear links between cyberspace and physical space. Intensity of hashtags impacted the subsequent intensity of Israeli airstrikes during attacks on the Gaza strip. ISIS used propaganda to create an aura of invincibility that outflanked the defenders of Mosul, while Russia denied that its 'little green men' were even in Ukraine. But the difference is that cyberspace is constructed space rather than natural space. The networks are built, maintained, and owned by real corporations and real people. The internet grew from an anarchic specialized scientific network to a major engine of commerce and communicate with little deliberate government oversight. Section 230 absolved American companies of responsibility for policing content, with major carve outs for copyrighted IP and pornography. Yet as concerns over cyberbullying and counter-terrorism rose, major networks adopted digital constitutions that were permissive towards speech and censorious towards erotica. Policing content is and was possible, but always took a back seat to growth and engagement, the guide stars of Silicon Valley. The future is if anything, darker. Advances in machine learning and AI allow ever more realistic bots, computer generated DeepFakes where a politician can be programmed to say anything, and personalized targeting of people with exactly the propaganda they'll believe. There are defensive counters, but if I might draw military analogies, what we saw in 2016 was armored warfare circa 1918: clearly the future, but not yet a mature system. Given the pace of technology, we only have a few years before digital blitzkrieg. I'm extremely online, and I've been following this space for years. I've presented at multiple conferences on this topic, including Governance of Emerging Technologies and Association of Internet Researchers. LikeWar is the book I wish I'd written. Cognizant, forward looking, and deeply researched, it is vital reading for anyone interested in technology or politics. My only reservation is that I wish the sources were better linked in the text, instead of being buried in static endnotes. Maybe the next edition will push an update.
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Reviewed in the United States on October 19, 2018

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