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Description
Old Choeda, the astrologer, Pazhi, 2003Our yak man Wangye is drunk, and only he knows the way to Lunana. We're two days out of Laya, climbing the 16,700 foot Gangla Karchung pass in driving snow and it's not even lunchtime. I first met Wangye in 1994. My ten year old daughter, Maile, and I traveled back to Thimphu with Wangye, along with Chimi Tshering, Chimis young grandson Wangchuk and two perfect little donkeys that they planned to present to the King on his birthday. Wangye came along
Our yak man Wangye is drunk, and only he knows the way to Lunana. We're two days out of Laya, climbing the 16,700-foot Gangla Karchung pass in driving snow and it's not even lunchtime.
I first met Wangye in 1994. My ten-year-old daughter, Maile, and I traveled back to Thimphu with Wangye, along with Chimi Tshering, Chimi’s young grandson Wangchuk and two perfect little donkeys that they planned to present to the King on his birthday. Wangye came along to tend the animals. Now, he no longer works for his uncle because Tshering doesn’t drink and they got into a fist fight over Wangye’s alcoholism.
According to Wangye, Tshering is the youngest of three brothers all married to the same woman. However, the oldest brother left the family for a love marriage and the second brother, old Choeda the faith healer and astrologer of Pazhi, now slowly drinks himself to death with Chinese baijiu. Though the King married four sisters, it is more common for Laya zam to marry several brothers. Fraternal polyandry prevents the fragmentation of a family’s wealth and land, controls population growth, and works well in an economy where the men must spend much of their time away from home trading. But like everywhere else in Bhutan, as Laya modernizes, the marriage custom shifts toward monogamy and land fragmentation, which could spell unlimited levels of population growth for the future.
From BHUTAN: Hidden Lands of Happiness, by John Wehrheim (Serindia 2011)
PHOTO PRINTS
Prints are on Hahnemuhle heavyweight (315 gsm) 100% archival cotton “Photo Rag Baryta” paper, using archival inks and archival spray coating. They have a 200-year life expectancy before any deterioration of the print will be observed when stored, handled, and displayed under archival conditions.
CANVAS PRINTS
What is often called “Gallery Wrap Canvas” is a fine art inkjet (Giclee) print on canvas, with printed edges to wrap around a wooden stretcher frame, like a painting. With canvas prints, your print image is still the same size, but given a "wrap effect" around the edges to account for the thickness of the stretcher. Canvas can be rolled and shipped with no effect to the print. Your local framing shop should be able to mount the canvas to stretchers at a fraction of the cost of traditional framing, making for an overall more economical way to get fine art on your wall. The canvas is printed to wrap around a 1-inch stretcher (1.5 inches on larger sizes). Specifications will be provided with your order. Feel free to contact us if you need guidance with your canvas order.
John prints, titles, dates, and signs all of his photos.
CUSTOM ORDERS: For custom orders of prints shipped flat, framed, or as stretched canvas, contact [email protected].
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